Products related to Literature:
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Songbooks : The Literature of American Popular Music
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded.Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies.The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms.Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing.As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
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A History of Modern Chinese Popular Literature
With no comparable study in the English language, the first English translation of Fan Boqun's A History of Popular Modern Chinese Literature presents one of the most authoritative and significant studies on modern Chinese literature to a new readership.Starting in the late Qing Dynasty, a period often overlooked by literary scholars, Fan maps the blueprint of modern Chinese popular literature through a broad range of popular literary genres.Thoughtfully illustrated throughout and utilising courtesan novels, martial arts fiction, pictorial journalism and detective novels, Fan's innovative approach to this rich material develops pioneering new arguments which will be of interest to all interested in modern Chinese literature, popular and visual culture in late Qing and Republican China.
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Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape.The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces.These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world’s literary repository but also the work of contemporary Bulgarian diaspora authors.Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
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Turkish Literature as World Literature
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world.Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters.The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized.Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
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Is Freemason literature unique?
Freemason literature is unique in that it is steeped in symbolism, allegory, and ritual, which are central to the teachings and traditions of Freemasonry. The literature often explores moral and philosophical themes, and is intended to guide members on a path of self-improvement and enlightenment. Additionally, Freemason literature is often shrouded in mystery and secrecy, adding to its unique allure. Overall, the combination of esoteric knowledge, moral teachings, and historical significance make Freemason literature distinct from other forms of literature.
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Is Russian literature better than German literature?
As an AI language model, I don't have personal opinions. The quality of literature is subjective and depends on individual preferences. Both Russian and German literature have produced influential and impactful works that have made significant contributions to world literature. Russian literature is known for its depth of psychological insight and emotional intensity, while German literature is celebrated for its philosophical and intellectual depth. Ultimately, the value of literature is in the eye of the beholder.
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Is rubble literature the same as post-war literature?
Rubble literature and post-war literature are closely related but not exactly the same. Rubble literature specifically refers to the literary works produced in the immediate aftermath of World War II, often focusing on the physical and emotional devastation caused by the war. Post-war literature, on the other hand, encompasses a broader range of literary works that address the effects of war on society, culture, and individuals in the years following the conflict. While rubble literature is a subset of post-war literature, the latter includes a wider scope of themes and time periods beyond the immediate aftermath of war.
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Is 20th-century literature the same as modern literature?
While 20th-century literature is a part of modern literature, they are not exactly the same. Modern literature encompasses literary works from the late 19th century to the present day, including 20th-century literature. However, 20th-century literature specifically refers to literary works produced between 1900 and 1999. Both periods share some common themes and styles, but they also have distinct characteristics that set them apart.
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Afropolitan Literature as World Literature
African literature has never been more visible than it is today.Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong’o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works.But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa’s place in the world that they offer?How does it differ from that of previous generations?Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos.By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world.However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.
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Mexican Literature as World Literature
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-AuthorChapter 15 by Carolyn Fornoff is Winner of the 2022 Best Article in the Humanities Award, Latin American Studies Association, MexicoMexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward.This collection features a range of essays in dialogue with major theorists and critics of the concept of world literature.Authors show how the arrival of Spanish conquerors and priests, the work of enlightenment naturalists, the rise of Mexican academies, the culture of the Mexican Revolution, and Mexican neoliberalism have played major roles in the formation of world literary structures.The book features major scholars in Mexican literary studies engaging in the ways in which modernism, counterculture, and extinction have been essential to Mexico’s world literary pursuit, as well as studies of the work of some of Mexico’s most important authors: Sor Juana, Carlos Fuentes, Octavio Paz, and Juan Rulfo, among others.These essays expand and enrich the understanding of Mexican literature as world literature, showing the many significant ways in which Mexico has been a center for world literary circuits.
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Visions of Precarity in Japanese Popular Culture and Literature
Recent natural as well as man-made cataclysmic events have dramatically changed the status quo of contemporary Japanese society, and following the Asia-Pacific war’s never-ending ‘postwar’ period, Japan has been dramatically forced into a zeitgeist of saigo or ‘post-disaster.’ This radically new worldview has significantly altered the socio-political as well as literary perception of one of the world’s potential superpowers, and in this book the contributors closely examine how Japan’s new paradigm of precarious existence is expressed through a variety of pop-cultural as well as literary media. Addressing the transition from post-war to post-disaster literature, this book examines the rise of precarity consciousness in Japanese socio-cultural discourse.The chapters investigate the extent to which we can talk about the emergence of a new literary paradigm of precarity in the world of Japanese popular culture.Through careful examination of a variety of contemporary texts ranging from literature, manga, anime, television drama and film this study offers an interpretation of the many dissonant voices in Japanese society.The contributors also outline the related social issues in Japanese society and culture, providing a comprehensive overview of the global trends that link Japan with the rest of the world. Visions of Precarity in Japanese Popular Culture and Literature will be of great interest to students and scholars of contemporary Japan, Japanese culture and society, popular culture and social and cultural history.
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Uses of Literature : The Social Dimensions of Literature
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Literature or music?
It ultimately depends on personal preference and what one finds more fulfilling. Literature can transport readers to different worlds, evoke emotions, and provoke thought through words and storytelling. On the other hand, music has the power to evoke emotions, create connections, and express feelings through melody and lyrics. Both forms of art have the ability to inspire, entertain, and provide a means of self-expression.
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What is literature?
Literature is a form of written or spoken art that expresses ideas, emotions, and experiences through language. It encompasses a wide range of genres, including poetry, fiction, drama, and non-fiction. Literature allows us to explore different perspectives, cultures, and time periods, and it often reflects the human condition and universal themes. Through literature, we can gain insight into the complexities of the world and the human experience.
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'World Literature Novels'
World literature novels are literary works that have been translated from their original language into multiple languages and have gained recognition and popularity across different cultures and countries. These novels often explore universal themes and human experiences that resonate with readers from diverse backgrounds. They provide a window into different cultures, societies, and historical periods, offering readers the opportunity to gain a deeper understanding of the world. World literature novels also contribute to the enrichment and diversity of literary traditions by showcasing the unique voices and perspectives of authors from around the globe.
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What is the difference between theme literature and motif literature?
Theme literature refers to the central idea or message that the author conveys through the story, while motif literature refers to recurring elements, such as symbols, images, or themes, that contribute to the overall meaning of the work. Themes are broader and more abstract concepts, while motifs are specific and concrete elements that help develop the theme. In essence, themes are the main ideas explored in a work, while motifs are the recurring patterns or symbols that support those ideas.
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